Hanoi is a collective madness; a pulsing hive of humanity where people are propelled, ant-like, by the momentum of the group rather than individual logic. The shared imperative - to move, to trade, to eat, to live - absorbs them into one great writhing organism and frames a snapshot of humanity as a single bloatsome parasite on the skin of the planet. To be alone among them is to be an alien species. They certainly look at me like one.
We are staying in a dilapidated guesthouse in the bowels of the old town. The buildings, the roads, the motorbikes, the people that clog the streets like dense fat, are all part of this single, breathing thing, this living machine, that swallows space and shits out rubbish everywhere. Viewed from above, all the motion might have an ominous multiplying pattern. From within it has the intensity and voracity of disease.
The only respite is Bia Hoi, the world's cheapest draft beer, sold from roadside stalls at around 15p for a big glass. Yesterday we sat at one of these stalls and watched a funeral possession. A line of ancient Buddhist nuns, spindly and shrunken, filed past us bearing flags and incense. Next came a band of men dressed like Greek holiday entertainers, playing mournful music and clanging bells. That's when I began to suspect it was a funeral and put the camera away. An old man shuffled backwards in front of the minibus that bore the coffin, bowing and nodding and muttering to the young relative who walked beside him carrying a black-framed photo of the deceased, an uncompromising-looking old woman. Behind the minibus a couple of hundred mourners plodded without expressions of grief, white bands tied round their heads. The procession turned away onto the main road, bringing a single artery to a momentary standstill. A few minutes later the band returned, instruments slung lazily over their shoulders, followed by the chattering mourners. A single cell in the body of the city had expired, and life buzzed on undisturbed.
People must grow up, marry, reproduce, spend their whole working lives and die in the old town without any sense of solitude, peace, and perhaps individuality.
There's not even escape from the fever indoors. Downstairs in our hotel a male and female staff member engage in bone-clattering arguments, roaring in each others faces, gesturing violently, shaking the floor with their stomps. I think they must be related. Several times they look likely to go for one another's throats, but instead the argument goes on, spiraling ever upwards in intensity when you thought it had started at the maximum, banging into our heads and battering away any hope of peace.
Up four narrow flights of stairs our room's unshuttable window faces out over the street. The city wails like a spoiled or starved baby. Even in the middle of the night, lone cars blare their horns into the darkness where there's nobody and nothing to get in their way. Just before 7am, hopelessly distorted public speakers start crunching out screeched propaganda speeches alternated with stirring orchestral music mangled by the ancient PA system. It stops at about 8, but by that time the shrieking, beeping and buzzing has built up into a single, constant, insurmountable blare that strangles my brain.
So the only purpose of the morning messages and music, as far as I can tell, is the same as the piss-boiling pop ballads that are slurped out with melodramatic posturing by hideous male/female duos on screens in every bus and train in the nation: that is, to fill the empty spaces, bombard the air with noise, and make sure that the people, already starved of physical room for living, don't enjoy a single moment of empty psychic space either; not one silent second of individual thought. And it's working. On all my travels through China and Vietnam, all those journeys, all that time spent watching, I have not seen a single person reading a book. Not one, young or old.
They've been bought off instead with baubles, trinkets and toys: they prod, finger and fumble with any sort of electronic device that generates loud noise and flashing light, dress themselves up like fairies and pose for ridiculous photos, fizz towards me from every direction on their zingy little motorbikes. It's been put to me that I have to appreciate that people in this part of the world work so hard, but it isn't true. They work long hours; that's not the same thing. Everywhere you go families of five sit outside their shops staring blankly into space; three men staff the ticket offices of empty tourist sites where one would be too many; taxi drivers lounge on their motorbikes in the sunshine, whispering to tourists in the hope of avoiding a job. Policeman patrol unresisting neighbourhoods stuffed six to a golf buggy as if expecting a riot. In our hotel it's impossible to get on the computers because they're monopolised by indolent staff members watching the same stupefying pop on YouTube.
The only people who work hard are the hawkers, clinging to me like sweat everywhere I go. They're impossible to repel, offering pastries, shoe repairs, T-shirts, spring rolls. All day they pound the streets, morning to midnight, impossible to discourage, rolling with the knockbacks, feeding off the tiny sustenance of the sales. The same boy who repaired my boots half an hour ago follows me to tell me they need fixing. Trying to fend them off distracts me from avoiding the motorbikes and black-windowed cars that surge in all directions at every intersection. These people are going to get me maimed or killed. This is madness. I have to get out of Hanoi.
We are staying in a dilapidated guesthouse in the bowels of the old town. The buildings, the roads, the motorbikes, the people that clog the streets like dense fat, are all part of this single, breathing thing, this living machine, that swallows space and shits out rubbish everywhere. Viewed from above, all the motion might have an ominous multiplying pattern. From within it has the intensity and voracity of disease.
The only respite is Bia Hoi, the world's cheapest draft beer, sold from roadside stalls at around 15p for a big glass. Yesterday we sat at one of these stalls and watched a funeral possession. A line of ancient Buddhist nuns, spindly and shrunken, filed past us bearing flags and incense. Next came a band of men dressed like Greek holiday entertainers, playing mournful music and clanging bells. That's when I began to suspect it was a funeral and put the camera away. An old man shuffled backwards in front of the minibus that bore the coffin, bowing and nodding and muttering to the young relative who walked beside him carrying a black-framed photo of the deceased, an uncompromising-looking old woman. Behind the minibus a couple of hundred mourners plodded without expressions of grief, white bands tied round their heads. The procession turned away onto the main road, bringing a single artery to a momentary standstill. A few minutes later the band returned, instruments slung lazily over their shoulders, followed by the chattering mourners. A single cell in the body of the city had expired, and life buzzed on undisturbed.
People must grow up, marry, reproduce, spend their whole working lives and die in the old town without any sense of solitude, peace, and perhaps individuality.
There's not even escape from the fever indoors. Downstairs in our hotel a male and female staff member engage in bone-clattering arguments, roaring in each others faces, gesturing violently, shaking the floor with their stomps. I think they must be related. Several times they look likely to go for one another's throats, but instead the argument goes on, spiraling ever upwards in intensity when you thought it had started at the maximum, banging into our heads and battering away any hope of peace.
Up four narrow flights of stairs our room's unshuttable window faces out over the street. The city wails like a spoiled or starved baby. Even in the middle of the night, lone cars blare their horns into the darkness where there's nobody and nothing to get in their way. Just before 7am, hopelessly distorted public speakers start crunching out screeched propaganda speeches alternated with stirring orchestral music mangled by the ancient PA system. It stops at about 8, but by that time the shrieking, beeping and buzzing has built up into a single, constant, insurmountable blare that strangles my brain.
So the only purpose of the morning messages and music, as far as I can tell, is the same as the piss-boiling pop ballads that are slurped out with melodramatic posturing by hideous male/female duos on screens in every bus and train in the nation: that is, to fill the empty spaces, bombard the air with noise, and make sure that the people, already starved of physical room for living, don't enjoy a single moment of empty psychic space either; not one silent second of individual thought. And it's working. On all my travels through China and Vietnam, all those journeys, all that time spent watching, I have not seen a single person reading a book. Not one, young or old.
They've been bought off instead with baubles, trinkets and toys: they prod, finger and fumble with any sort of electronic device that generates loud noise and flashing light, dress themselves up like fairies and pose for ridiculous photos, fizz towards me from every direction on their zingy little motorbikes. It's been put to me that I have to appreciate that people in this part of the world work so hard, but it isn't true. They work long hours; that's not the same thing. Everywhere you go families of five sit outside their shops staring blankly into space; three men staff the ticket offices of empty tourist sites where one would be too many; taxi drivers lounge on their motorbikes in the sunshine, whispering to tourists in the hope of avoiding a job. Policeman patrol unresisting neighbourhoods stuffed six to a golf buggy as if expecting a riot. In our hotel it's impossible to get on the computers because they're monopolised by indolent staff members watching the same stupefying pop on YouTube.
The only people who work hard are the hawkers, clinging to me like sweat everywhere I go. They're impossible to repel, offering pastries, shoe repairs, T-shirts, spring rolls. All day they pound the streets, morning to midnight, impossible to discourage, rolling with the knockbacks, feeding off the tiny sustenance of the sales. The same boy who repaired my boots half an hour ago follows me to tell me they need fixing. Trying to fend them off distracts me from avoiding the motorbikes and black-windowed cars that surge in all directions at every intersection. These people are going to get me maimed or killed. This is madness. I have to get out of Hanoi.



